• _BRINGS TWO METALS INTO QUIET CONVERSATION. STAINLESS STEEL & COPPER, DISTINCT IN CHARACTER YET INSEPERABLE IN FORM, A POIGNANT BALANCE BETWEEN  PRECISION & WARMTH, STRUCTURE & ORNAMENT.

  • CUT AND FOLDED INTO SWEEPING, ORBITAL FORMS, STAINLESS STEEL CREATES AN ARCHITECTURAL FRAMEWORK AROUND A COPPER VESSEL OR BOX, HELD AT ITS CENTRE LIKE A JEWEL IN SUSPENSION.

  • THE WORK EMERGES FROM A FASCINATION WITH CONTRASTS: THE ENGINEERED AND THE ELEMENTAL, THE COOLNESS OF STEEL AND THE WARMTH OF COPPER, THE EXACTITUDE OF GEOMETRY AND THE IRREGULARITIES OF THE HAND.

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  • _EXPLORES THE QUIET RELATIONSHIP BETWEEN THE MOON, LIGHT & REFLECTION,  IT'S CHANGING LIGHT & SHIFTING IMAGE.

  • THE CIRCLE LENDS THE FORM A SENSE OF CONTINUITY, ITS MEASURED PROPORTIONS BALANCING PRESENCE WITH RESTRAINT. NEITHER ENTIRELY OBJECT NOR ORNAMENT, IT OCCUPIES A SPACE BETWEEN FUNCTION AND CONTEMPLATION.

  • COPPER CARRIES A PARTICULAR WARMTH, ITS SURFACE RECORDING THE GESTURES OF THE HAND AND RESPONDING TO THE LIGHT AROUND IT. OVER TIME, THE MATERIAL DEVELOPS A CHARACTER OF ITS OWN, ALLOWING THE OBJECT TO EVOLVE ALONGSIDE THE SPACES IT INHABITS.

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  • AES CURRUM EXPLORES COPPER THROUGH THE RITUALS OF OFFERING, SERVING & GATHERING. 

  • DRAWING FROM THE HERITAGE OF INDIAN METALWORKING, THE COLLECTION RECONSIDERS FAMILIAR VESSELS AS OBJECTS THAT MOVE BETWEEN EVERYDAY UTILITY AND CEREMONIAL PRESENCE.

  • A VESSEL CAN BECOME PART OF A GATHERING, AN OFFERING OR A MEMORY, CARRYING SIGNIFICANCE BEYOND ITS IMMEDIATE FUNCTION.

  • THE CRIMSON METAL OFFERS A RICH VOCABULARY OF SURFACE AND COLOUR. ITS NATURAL WARMTH, THE DEPTH OF PATINATION AND THE LUMINOSITY OF SILVER GILDING CREATE CONTRASTING EXPRESSIONS OF THE SAME MATERIAL, EACH REVEALING A DIFFERENT QUALITY THROUGH LIGHT, TOUCH AND TIME.

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  • WE WALK HAND IN HAND WITH THE PAST AND WADE IT THROUGH THE DOOR AHEAD, THE FUTURE NOW BECKONS US.

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